Amarillo Bay 
 Volume 13 Number 3 

Amarillo Bay Contents
Volume 13 Number 3

We are pleased to present the third issue of our thirteenth year, published on Monday, 1 August 2011. We hope you enjoy browsing through our extensive collection of fiction, creative nonfiction, and poetry! (See the Works List to discover the over 500 works in our collection, including the ability to search through the issues.)


Fiction

All He Saw Was Summer
   by Carolyn Light Bell
Carolyn Light Bell

Carolyn Light Bell's work has appeared in Big Muddy, Blue Buildings, Croton Review, Great Midwestern Quarterly, Kansas Quarterly, Limestone, Louisiana Literature, Milkweed Quarterly, Minnesota Memories, Minnesota Women's Press, Northern Plains Quarterly, The Paterson Literary Review, Phoebe, Reform Judaism, Response, RiverSedge, Tales Of The Unanticipated, and West Wind Review.

Watching them makes me feel like an intruder, leering at something intimate behind lace curtains, but I can't help myself. I feel an upsurge of belief again, a regeneration of my spirit, which, if you must know, has sagged a little with age. They are the image of fresh love, the kind that unrolls its crenellations, undressed to its core. They prove that love is still in style, that it continues to be kind despite the coldness of virtual reality.

They glow like love stars in a constellation, impenetrable, distant: he, leaning in slightly, she, head bowed demurely toward him. Both somewhat shy, about the same height, ash-blond, big-eyed, and certain in their geometry. When they sit together, their shoulders, their thighs, their calves, their fingertips melt into a seamless stream. Their lips murmur indistinct secrets. I am both fascinated and embarrassed.

When they walk through the halls, their voices are low, quiet, blending into the raucous chaos surrounding them. They flow in and out, scarcely visible, two abreast, among a rush of bodies hurrying to class, shielded by the armor of love. By virtue of their existence, all witnesses are a bit sweeter, elevated by their gentle smiles.  continue

Hardwired
   by Sondra Friedman
Sondra Friedman

Sondra Friedman lives in Washington state. Her short fiction has appeared in Inkwell, So to Speak, Forge, Slow Trains and The Pittsburgh Quarterly Review Online. Currently she is completing a collection of short stories and a novel.

In March, the phone calls started. Sharon's mother only called when she needed to push. This time she was pushing Sharon to see a psychologist because of the sound of her voice. Her mother knew its every timber and detected a tinny off-key note over the telephone, three thousand miles away in her condo in Florida. A short, assertive woman, she wore jangling jewelry and made up for her lack of inches by talking in high decibels.

Mother had a name and a number and she was pushing it. "His name is Dr. L. J. Lewis. I don't know what the 'L' stands for but the Meltzers met his uncle at a canasta tournament," she announced into Sharon's answering machine. "Brains run in the family. Call him, will you?"

No one trigger made Sharon's voice quiver. It may have started with the military surge in Afghanistan and the feeling of impotence that comes when soldiers are sent to battle. Or just a feeling of impotence in general, as she sat, cross-legged on the floor, staring at her toes, thinking about why she did what she did and if what she did was worth doing. Why shower? Did refugees from Afghanistan squander gallons of water a day to smell clean? Why eat? In Sudan, three meals were for militants on a raid. Why teach art? In Haiti, a paintbrush could not stop a child from being forced into slavery as a restavèk. Did the world need her to teach, and if not, what was her purpose? She'd negotiated four weeks of unpaid medical leave but would soon have to return to her classroom or lose her job. This was week three and she had no answer.  continue

Ordinary Behavior
   by Lucille Lang Day
Lucille Lang Day

Lucille Lang Day's fiction and creative nonfiction have appeared in California Quarterly, Eclipse, The Hudson Review, Istanbul Literary Review, Passages North, River Oak Review, RiverSedge, Waccamaw, and other journals, and her memoir, Married at Fourteen, will be published by Heyday in 2012. She received the Willow Review Creative Nonfiction Award in 2009 and a Notable Essay citation in Best American Essays 2010. The author of a children's book and eight poetry collections and chapbooks, most recently The Curvature of Blue (Cervena Barva, 2009), she is the founder and director of a small press, Scarlet Tanager Books, and served for 17 years as the director of the Hall of Health, a museum in Berkeley. Her website is <http://lucillelangday.com>.

Reading about Bernard Madoff made me feel really good about myself. I don't mean ordinary good, but extraordinary, off-the-charts good. Sixty-five billion dollars missing from client accounts! Retirement funds! People's life savings! How could he do it? I would never do anything like that, I thought. I am a normal guy, a good guy. Unlike that guy. That guy is a psychopath. It was a Saturday morning, and I'd been drinking my coffee in the living room, reading the paper, taking it easy.

"Cassie," I called to my wife, "come here." She was busy at her computer. I don't know what she does there, but she does an awful lot of it. I can hardly get her attention anymore. This time, though, she must have heard some urgency in my voice, because she came, disheveled, still in her pajamas because she heads for the computer right after breakfast. "You won't believe this," I said. "I'm reading about a psychopath. Bilked people for sixty-five billion dollars. Bought himself boats and planes and mansions all over the world. Can you imagine?"

"Who says he's a psychopath?"

"I say he's a psychopath! How could someone do that and not be a psychopath?"

"You shouldn't throw words like that around unless you know what you're talking about. There must be a clinical definition."

I hate it when Cassie gets contrary. Sometimes it seems like she lives to contradict me. I do appreciate it, however, that she has a brain.  continue

Rosalita
   by George Masters
George Masters

George Masters served with the Marine Corps in Vietnam and graduated from Georgetown University. In addition to being a freelance writer, he has worked as a commercial fisherman, stuntman, construction worker, car salesman and substitute teacher. His writing has been published in national magazines and newspapers including the Boston Globe, Harvards Charles River Review,Chicago Tribune and San Francisco Chronicle. Masters is seeking a publisher for his first novel, "Trouble Breathing," a crime story about a homeless war hero who falls in love with a San Francisco socialite. Currently, he is cooking aboard a fishing yacht off the coast of Panama.

In the morning, the ship came through the storm into an arctic high pressure system the size of California, Nevada, and Utah. Snow from the night before left a frosting on top of the boxes. The containers above deck resembled boxcars snow-bound in the Chicago yard.

Driving off the clouds and snow, the wind had scraped sea and sky, leaving it clear, clean, and bitter cold. Passing 180 degrees longitude, the ship crossed the international dateline. Legend had it that when the light was right, a gold vein shining up from the depths could be seen by an old timer on his last voyage and the new sailor on his first. Sailing into tomorrow, ship and men skipped a day and climbed over the fence.

The American flag snapped in the wind. The open ocean lay raw and inscrutable. Heading west to the Far East on the great north circle, they'd soon be turning south for Japan. Not soon enough.  continue

Trinity's
   by Gary V. Powell
Gary V. Powell

Gary V. Powell's stories have appeared in several literary journals including moonShine Review, The Thomas Wolfe Review, and Briar Cliff Review. Most recently, his story "Fast Trains" was named a finalist for Cutthroat's 2010 Rick Demarinis Fiction Contest. A former attorney, he lives and writes in North Carolina near the shores of Lake Norman with his wife and son. He recently completed his first novel, Lucky Bastard. This is his third appearance in Amarillo Bay.

Lee's ten was up. The Asian chick who'd owned the table for the last two hours twirled her cue and eyed him through black-rimmed glasses. Twenty-five, twenty-six, and frosty under pressure, there was no denying she looked good. Better than good in those skinny jeans, five-inch heels, and tight t-shirt.

Her t-shirt read "Bitchin'" across firm, little breasts.

"Rack 'em, man," she said with a lilt. Black hair draped her shoulders.

"No problemo," Lee said.

Maybe she was tired or bored. Maybe she was playing him. Whatever, Lee was surprised to take her so easily. Nothing fell on her break, then he sunk the one and got the two before hiding behind the five. She missed a tough cut shot on the three and left him with a kiss off the four into the nine.

After the nine dropped, she took a seat along the side, put up her ten for the next round, and ordered a Dirty Asian. Trinity's was crowded for a Thursday night. An old three-story mansion in New Orleans's warehouse district, the owners had converted the lower floors to a bar and nightclub. On the third floor ancient pin-ball machines and video games with names like "Assassin," "Ghoul Hunter," and "Sniper" lined the walls. Air hockey, shuffle board, and foosball filled one end of the room, pool tables the other. Amateurs shot for fun on the four tables nearest the door. In the back, gamblers gathered around a classic Brunswick with leather pockets. They played nine ball and most games were over in less than five minutes. Winners played for as long as they held the table. The crowd varied from hot kids with their own cues to old-school hustlers. Cigarette smoke, Eagles music, and hard-looking women proliferated.

The Asian chick was the exception.  continue

Creative Nonfiction

Launched
   by Myra Bellin
Myra Bellin

Myra Bellin received an MFA in creative nonfiction from Spalding University after acquiring degrees in English, law, and psychology. She worked as a civil lawyer for 15 years, a psychotherapist, an adjunct professor of business law courses, and a middle-school English teacher. A number of her personal essays have been published in The Philadelphia Inquirer, and her profiles have appeared in The Rambler and Ceramic Monthly. New work has appeared in Diverse Voices Quarterly, The Front Range Review, Slow Trains, and Colere.

No one in my family traveled much beyond our home in Philadelphia. My father's sole transatlantic trip occurred when his mother, with her five children, left a Russian shtetl to join her husband in America. Hidden in the back of a hay wagon, they raced across the border to Poland, pistol-wielding Cossacks at their heels. It was 1918 and my father was five years old. My mother, born here to immigrant parents, had never been out of the country except for the road trip to Niagara Falls when our car, a 1956 green Cadillac, went into death throes on the shoulder of the New York Thruway, ultimately succumbing with a strong final shudder in a cloud of steam. There were annual jaunts to Boston to visit family, a few day trips to New York where my father could play with his new movie camera filming his three children at the Statue of Liberty, and summer days at the Jersey Shore.

The world in which I grew up was family-centric, and the focus of its narrative was my older brother — his grades, his study habits, his accomplishments as a pianist, his girlfriends. His activities dominated the daily conversation, and none of it pertained to me. So I filled out my own personal world with books. I desperately wanted to jump down the rabbit hole after Alice. Heidi took me to the Swiss Alps, and Little Women presented a family in which people talked and didn't scream. It was a world much different from mine — no mothers shrieking at their sons at 3 a.m. for staying out late with cuervas (whores), screaming that shiksas (non-Jewish girls) were destroying all chances of acceptance to medical school. I tore through most of the popular book series for young girls — the detectives Judy Bolton and Nancy Drew, the nurse Cherry Ames. I wanted to leave my world and enter theirs.  continue

Poetry

Earning My Keep
   by Helen Wickes
Helen Wickes

Helen Wickes lives in Oakland, California, and worked for many years as a psychotherapist. In 2002 she received an M.F.A. from Bennington College. Her first book of poems, In Search of Landscape, was published in 2007 by Sixteen Rivers Press. Her poems can be read and heard online at From The Fishouse. Her work has appeared or is forthcoming in AGNI Online, Atlanta Review, Confrontation, Eclipse, Evansville Review, RiverSedge, Sanskrit, South Dakota Review, Stand, Runes, ZYZZYVA, Zone 3, Chicago Quarterly Review, The Collagist, Natural Bridge, Santa Clara Review, Limestone, The Spoon River Poetry Review, Bryant Literary Review, Eclectica, Ellipsis, Southwestern American Literature, Soundings East, Verdad, The Coe Review, Crucible, The Jabberwock Review, Kaleidoscope, Pleiades, PMS poemmemoirstory, SLAB, The Griffin, Salamander, Epicenter, Barnstorm, Poetry Flash, In the Grove, CQ, CSPS, Freshwater, Schuylkill Valley Journal of the Arts, Softblow, 5 AM, the Bennington Review, and the anthology Best of the Web 2009.

Sold Almond Joys in eighth-grade snack shop,
nannied three brats, their mommy too,
one long, Connecticut summer. Spent time
checking in your general psychotics, schizoids,
your ruined and wracked at a local county bin.  continue

An Intelligent Design
   by Helen Wickes
Helen Wickes

Helen Wickes lives in Oakland, California, and worked for many years as a psychotherapist. In 2002 she received an M.F.A. from Bennington College. Her first book of poems, In Search of Landscape, was published in 2007 by Sixteen Rivers Press. Her poems can be read and heard online at From The Fishouse. Her work has appeared or is forthcoming in AGNI Online, Atlanta Review, Confrontation, Eclipse, Evansville Review, RiverSedge, Sanskrit, South Dakota Review, Stand, Runes, ZYZZYVA, Zone 3, Chicago Quarterly Review, The Collagist, Natural Bridge, Santa Clara Review, Limestone, The Spoon River Poetry Review, Bryant Literary Review, Eclectica, Ellipsis, Southwestern American Literature, Soundings East, Verdad, The Coe Review, Crucible, The Jabberwock Review, Kaleidoscope, Pleiades, PMS poemmemoirstory, SLAB, The Griffin, Salamander, Epicenter, Barnstorm, Poetry Flash, In the Grove, CQ, CSPS, Freshwater, Schuylkill Valley Journal of the Arts, Softblow, 5 AM, the Bennington Review, and the anthology Best of the Web 2009.

That his ancestors were stardust, this
we know, and that something happened,
stardust and planetary debris seeking a place
to name home, coalesced, and drifted, rotted
and hunkered down, that things eked forth
and spewed out, and that lumbering creatures
ventured afar, as we imagine that these beasts
hunkered down, into life, and the smaller
continue

Family Night Out
   by Andrey Gritsman
Andrey Gritsman

A native of Moscow, Andrey Gritsman emigrated to the United States in 1981. He is a physician who is also a poet and essayist. He has published five volumes of poetry in Russian. He received the 2009 Pushcart Prize Honorable Mention XXIII and was nominated for the Pushcart Prize several times (2005 - 2011), and also was on the Short List for PEN American Center Biennial Osterweil Poetry Award. His poems, essays, and short stories in English have appeared or are forthcoming in over 60 literary journals, including Left Curve, Nimrod International Journal, Sanskrit, Blue Mesa, Confrontation, Cimarron Review, Euphony, The Fourth River, Absinthe: New European Writing, Hotel Amerika, Mad Hatter's Review, New Orleans Review, Notre Dame Review, Wisconsin Review, Studio One, Denver Quarterly, Hawaii Review, Hunger Mountain, Permafrost, A Gathering of the Tribes, Poet Lore, Poetry International, Puerto del Sol, Reed Magazine, Richmond Review (London), Fortnight (N. Ireland, UK), Landfall (New Zealand), Ars Interpres (Stockholm, Sweden), The South Carolina Review, The Spoon River Poetry Review, Harpur Palate, Tampa Review, Texas Review, Verdad, and The Writer's Chronicle. His work has also been anthologized in Modern Poetry in Translation (UK), Crossing Centuries (New Generation in Russian Poetry), The Breath of Parted Lips: Voices from the Robert Frost Place, Stranger at Home: American Poetry with an Accent, Visions International, and in Killer Verse: Poems on Murder and Mayhem.

He received his MFA in poetry from Vermont College. He runs the Intercultural Poetry Series in a popular literary club, Cornelia Street Café, in New York City. He also edits an international poetry magazine, www.interpoezia.net.

We are sitting in Celeste,
Upper West Side, Italian, moderately priced,
cash only, and my grown-up daughter
in front of me is generously shedding tears
from her huge gray eyes into the pasta special,
$11.99 with shallots. My former wife
on my right, whom I still love,
is dropping tears into the broiled red snapper,
ganged up with my daughter
on that all the men are
scoundrels, idiots and nuts.  continue

Ghost
   by Carla Criscuolo
Carla Criscuolo

Carla Criscuolo was born and raised in New York City and now makes her home on Long Island. Her poetry has appeared in numerous literary magazines including Main Street Rag, South Jersey Underground, Foliate Oak, Message in a Bottle, and Boston Literary Magazine.

I am suddenly a poltergeist, slamming open dresser drawers,
pulling Bermuda shorts out of my suitcase faster than a magician
pulls rainbow scarves from his throat. A triangle symphony
clashes as I toss flimsy sun dresses back into the closet.
When I reach the airplane tickets I let them slip from
my fingers onto the bed, a soundless gesture. Delicately,
I unzip my dress (after all it did cost more than our living
room set), and let it pool at my feet like a daub of marshmallow
fluff.  continue

My Kind of Poetry
   by Katrina K Guarascio
Katrina K Guarascio

Katrina K Guarascio currently resides in Albuquerque, New Mexico, where she teaches English, Poetry, and Journalism. Along with various literary magazine and ezine publications, she is the author of two chapbooks and two book length publications, A Scattering of Imperfections and most recently, They don't make memories like that anymore...

Your kind of poetry arrived unexpected at my door
      worn from the highway,
      trailing wet footprints across my Persian rug.
Road ridden poetry,
      put away wet verse
      you scribed over my living room walls
as they watched us pulse.  continue

That's the Answer! My Aunt
   by Paul Watsky
Paul Watsky

Paul Watsky's work has appeared or is forthcoming in Asheville Poetry Review, Alabama Review, Fugue, The Pinch, Lullwater Review, Poets and Artists: O & S, Natural Bridge, Many Mountains Moving, and others. He has authored two chapbooks issued by tel-let, More Questions Than Answers (2001) and Sea Side (2003). In 2006 he cotranslated Santoka (Tokyo, PIE Books) in collaboration with Emiko Miyashita. In 2010 his debut full-length poetry collection, Telling The Difference, was released by Fisher King Press, and a collection of his baseball poetry entitled Extra Innings was published by Interpoezia. Book critic Dwight Garner referred to his poem "Cumbersome" as "terrific" in his New York Times Arts Beat blog.

happily exclaimed, more
and more often as senility
advanced, until her brain shut  continue

To a Volunteer Plum
   by Paul Watsky
Paul Watsky

Paul Watsky's work has appeared or is forthcoming in Asheville Poetry Review, Alabama Review, Fugue, The Pinch, Lullwater Review, Poets and Artists: O & S, Natural Bridge, Many Mountains Moving, and others. He has authored two chapbooks issued by tel-let, More Questions Than Answers (2001) and Sea Side (2003). In 2006 he cotranslated Santoka (Tokyo, PIE Books) in collaboration with Emiko Miyashita. In 2010 his debut full-length poetry collection, Telling The Difference, was released by Fisher King Press, and a collection of his baseball poetry entitled Extra Innings was published by Interpoezia. Book critic Dwight Garner referred to his poem "Cumbersome" as "terrific" in his New York Times Arts Beat blog

A February two-week pretty
phase and then you scraggle into

setting unpalatable
fruit that birds transport

backyard to sidewalk and
splat onto the cement — exploded  continue

Traveling Sand
   by Diane Webster
Diane Webster

Diane Webster works at a local, weekly newspaper office. She tries to remain open to poetry ideas in everyday life and in drives in the mountains. Her poetry has appeared in The Hurricane Review, The Common Ground Review, The Orange Room Review and other literary magazines.

I feel like a footprint
in sand
after the ocean
swept me
away.  continue

Works List

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Works by Issue

Works are published the first Monday of February, the third Monday of May, the first Monday of August, and the first Monday of November.

2011, Volume 13 Number 4, 7 November 2011 — Future Issue
Number 3, 1 August 2011 — Current Issue
Number 2, 16 May 2011
Number 1, 7 February 2011
2010, Volume 12 Number 4, 1 November 2010
Number 3, 2 August 2010
Number 2, 17 May 2010
Number 1, 1 February 2010
2009, Volume 11 Number 4, 2 November 2009
Number 3, 3 August 2009
Number 2, 18 May 2009
Number 1, 2 February 2009
2008, Volume 10 Number 4, 3 November 2008
Number 4, 18 August 2008
Number 2, 19 May 2008
Number 1, 11 February 2008
2007, Volume 9 Number 4, 12 November 2007
Number 3, 6 August 2007
Number 2, 7 May 2007
Number 1, 5 February 2007
2006, Volume 8 Number 4, 6 November 2006
Number 3, 7 August 2006
Number 2, 8 May 2006
Number 1, 6 February 2006
2005, Volume 7 Number 4, 7 November 2005
Number 3, 8 August 2005
Number 2, 2 May 2005
Number 1, 7 February 2005
2004, Volume 6 Number 4, 1 October 2004
Number 3, 2 August 2004
Number 2, 3 May 2004
Number 1, 2 February 2004
2003, Volume 5 Number 4, 3 November 2003
Number 3, 4 August 2003
Number 2, 5 April 2003
Number 1, 3 February 2003
2002, Volume 4 Number 4, 4 November 2002
Number 3, 5 August, 2002
Number 2, 6 May 2002
Number 1, 4 February 2002
2001, Volume 3 Number 4, 5 November 2001
Number 3, 6 August 2001
Number 2, 7 May 2001
Number 1, 5 February 2001
2000, Volume 2 Number 4, 6 November 2000
Number 3, 7 August 2000
Number 2, 1 May 2000
Number 1, 7 February 2000
1999, Volume 1 Number 3, 1 November 1999
Number 2, 2 August 1999
Number 1, 3 May 1999