Amarillo Bay 
 Volume 14 Number 4 

Amarillo Bay Contents
Volume 14 Number 4

We are pleased to present the fourth issue of our fourteenth year, published on Monday, 5 November 2012. We hope you enjoy browsing through our extensive collection of fiction, creative nonfiction, and poetry! See the Works List to discover the over 590 works—about 210 works of fiction, 70 works of creative nonfiction, 310 works of poetry—in our collection, including the ability to search through the issues.


Fiction

All About Sex
   by Phyllis Carol Agins Phyllis Carol Agins

Phyllis Carol Agins has long found inspiration in Philadelphia, PA. Two novels, many short stories and essays, a children's book, and an architectural study of synagogues and churches were all published during her years there. Lately, she divides her time between Philadelphia and Nice, France, adding the Mediterranean rhythms to her sources of inspiration. She has recently finished The Protection of Salt, a novel about Algeria and France during the 1960's. Her website is: phylliscarolagins.com

Once, she only had to breathe in the spices that came from his very pores—from the skin between his legs and under his arms. Even his neck had tasted different to her, honeyed and never bitter like some of her other boyfriends.

Once, she only had to think about Tommy on her way home out of the city, and her hands would grip the wheel and her foot land hard on the pedal, that familiar hunger between her legs transporting her to a kind of madness.

"You're just a dog in heat." Tommy would laugh back then, pulling her to their bed.   Continue…

Below Yokun
   by R. M. Rud R. M. Rud

Rita Rud was born in the UK, trained as an RN, then received a BS degree in philosophy and psychology there before coming to the US to marry her husband. She completed her MFA from Purdue University and taught writing courses there for four years. She now lives in the Palouse region of Washington State with her husband, two dogs, and three cats, and teaches creative writing in the Honors College at WSU where she is starting an online arts and literary journal (The Palouse Review) for undergraduates in Honors programs throughout the Pacific Northwest.

Maddie Larson drives up to her house, exhausted from the heat and drama of the day. Lola barks her usual greeting, jumping up and down against the chain-link fence of her pen like a yoyo. Dusk's shadows have started their long sweep of the yard, but Maddie can still see the large pots of white geraniums out across the lawn that must be watered. Inside, she lets Lola in through the door that connects the pen to the downstairs sunroom. The little black dog will be looking for Don, Maddie knows.

"He isn't here, Lola," she says, more to herself than to the racing fluff in motion up the stairs. In the kitchen, she thinks about food. She's had nothing since breakfast except a cup of machine coffee at the hospital. But she should water the flowers before it gets too dark outside, before the usually hidden life of the mountain descends, driven down by the drought.

In all these years they've seen very little wildlife in their yard, but then, there's never been a drought like this summer's. Maddie saw the first deer one evening after dinner just inside the trees around the edge of their property. Only a flick of its white tail gave it away in the fading light. Later more came and, under the cover of darkness, ventured across the lawn, picking at the dry stubble that had needed no mowing for several weeks, past the once glorious flower garden—now brown and wilted—and finally into the field at the bottom where they disappeared into the high silver grass as if slipping into water. Two nights ago, one deer walked boldly along the now familiar path with a black cat by its side the entire way. Maddie was strangely moved by this. Was there a bond between the cat and the deer, she wondered—a friendship—or did they walk together for protection against the coyotes she'd seen recently shadowed along the tree line?

Now as Maddie fills two big watering cans from the outside faucet, she thinks about it again. Was it an omen?   Continue…

His House in Order
   by Irving A. Greenfield Irving A. Greenfield

Irving A. Greenfield spent two years in the Merchant Marine and fought in the Korean War. He has published several novels, including Tagget, which was produced as a TV film. His video play, "Camp #2, Bucharest," won a NOVA for the best drama of 1998 on Community Access TV. He was one of the five nominated winners of the Yukon Pacific Play Award for his one act play, "Billy," which was produced for Public Access TV and became a successful Off Off Broadway production. His play, "Entitlement," was produced at The Studio Theater in New York, and three one-act plays were produced there in April 2004. His most recent full-length play, "What Do We Do About Walter," was produced at the American Theatre of Actors in 2003. His novels Snow Giants Dancing, Only the Dead Speak Russian, and Beyond Valor are available from Amazon on Kindle. Several of his short stories have been published in Amarillo Bay.

That's what David Cole wanted to do—put his house in order. Not an easy task for a man who just became a septuagenarian, although he was in relatively good health except for the aches and pains that came and went as harbingers of things to come.

Too many things had fallen down over the years and had to be propped up, or gotten rid of, or thrown out. By God, he still had life in him. Maybe ten good years before his body would begin to crumble. Not a bright prospect, but he was a realist, or at least tried to be one.

He made a list of what he had to do; it was written on a small, folded piece of paper he kept in his wallet. It was his talisman. Several times a day he'd think about the list, sometimes reading it to reassure himself that he had a set of very specific goals that, once accomplished, would make him a free man.

Making and keeping a "to do list" was something he had never done. He could keep his future actions in his head, but the few things on the list were different; they were promises to himself. If he failed to keep them, he would have failed himself, something he had done many times during his seventy years and did not want to do again.

There were only three things on the list: sell house, legally separate from Nicole, and start a new life. He was tired of sleeping on the living room couch while Nicole slept behind the locked door of the bedroom they once shared. An arrangement that he once thought would be temporary was now ten years old. As a result, their relationship had deteriorated into an adversarial contest to see which one could out yell the other. Endurance was what was needed, and he had to admit that his had diminished over the years.   Continue…

Umbrellas
   by John Yohe John Yohe

John Yohe lives in Portland, Oregon. He holds an MFA in Poetry Writing from The New School for Social Research and an MA in The Teaching of Writing from Eastern Michigan University. His first full-length collection of poetry, What Nothing Reveals, is out now. A complete list of his publications, and poetry, fiction and non-fiction writing samples, can be found at his website: johnyohe.com

In Santa Fe, in the summer, the clouds build up over the mountains in the afternoon and around three o'clock they rumble down the canyon and pour rain on the city for about an hour, sometimes so hard that driving can be almost impossible and small rivers flow down the streets.

Two blocks past the elementary school the girl stood under a cottonwood tree in the downpour, hunched over trying to find the least wet spot under the branches. He drove past in his car and she looked through the window at him. He looked at her in the rearview mirror and saw her turn and watch his car. He stopped, backed up and stopped again in front of her, leaning across and rolling down his window. "Hello! Do you want a ride?"

With raindrops hammering down on the car roof he could barely hear her small voice say, "No thanks."

"Well, do you live close? Or do you know somebody nearby?"

Again quiet. "No. My mom's supposed to pick me up. She's late so I'm walking home."

"Well come on, get in my car at least and we can wait for her."

Her face dripping, long black hair starting to plaster to her head. "No, I can't. I'm not supposed to talk to you. I'm not supposed to talk to people I don't know."   Continue…

Witness
   by Susan Taylor Chehak Susan Taylor Chehak

Susan Taylor Chehak is a graduate of the University of Iowa Writers Workshop and the author of five novels, including Smithereens, The Story of Annie D., and Harmony. Her short stories have appeared or are forthcoming in Oxford Magazine, Folio, Folly, Word Riot, Coe Review, Guernica Magazine, L.A. Under The Influence, Sisters in Crime 5, and The Chariton Review. She has taught fiction writing in the low residency MFA program at Antioch University, Los Angeles, the UCLA Extension Writers' Program, the University of Southern California, and the Summer Writing Festival at the University of Iowa. Susan grew up in Cedar Rapids, Iowa, spends as much time as possible in Colorado, and at present divides her time between Los Angeles and Toronto. Her website is: stchehak.com

If you were above it all somehow, at a window, say, and high enough over the street to be able to see what happened, but not so far that the details would be blurred. Many floors, or maybe just a few. Six, say. If you were in a room on the sixth floor of a ten-story hotel and you were at the window, having a smoke, say. In a nonsmoking room. With your morning coffee and the newspaper waiting. The bed still warm. The sheets a mess. Your hair a mess too. His shirt on your back. No, not his shirt, because he was already gone by then; that's why you were at the window, not for the smoke, you don't smoke, not anymore, not since you watched your mother gasp her last.

You were at the window so you could watch him go. You were wondering if he might look up and see you there. He was at the crosswalk; he was waiting for the light, and it was early by some standards. By your standards. The street was full of cars, and the sidewalk was full of people, considering that this was not a big city. This was not New York, and downtown hadn't been the same since the flood three years ago that rose up to the middle of the first floor of the buildings around here and left a fish in the lobby of the hotel and ruined the public library, washed away police records and evidence rooms, made a mess of the little houses in the pocket closest to the river, where you used to live, where you grew up.

Still, this was his hometown, and he kept his downtown office, determined to move back in and get back to normal as soon as possible. He had the place cleaned up and set to rights in record time. Hardly missed a day of work, because he loved his job, at least the concept of it if not the actual content. Which was insurance. And there's an irony in that, I know.

So he was at the crosswalk waiting for the light, and maybe you were disappointed that he didn't happen to look up to see you watching, to see you admiring him—the square of his shoulders, that open circle of bare scalp at the back of his head, gleaming because it was warm and he was hatless. Someone next to him—a younger man he might have known—said something to him, and he replied, and the light changed, and he began to cross toward those who had begun to cross toward him from the other side.   Continue…


Creative Nonfiction

Beth, Make Me Some Eggs
   by Tamara K. Adelman Tamara K. Adelman

Tamara K. Adelman is a massage therapist, triathlete, and freelance writer living in Santa Monica, California. She has a B.A. from George Washington University. Devoted to training and traveling, she has competed in Ironman races in Brazil, South Africa, the Canary Islands, and Europe. Equally devoted to developing her writing, she has attended the Taos Writers Conference and is enrolled in the Creative Nonfiction Certificate Program at UCLA. As a freelance writer, her work focuses on travel, fitness, and action sports. She can be found most days looking out at the Santa Monica Bay as she writes the next story or trains for the next race—in passionate pursuit of perfection: the finish line. Her work has appeared or is forthcoming in Clackamas Literary Review, Ducts, Folly, Forge, Hospital Drive Magazine, North Dakota Quarterly, RiverSedge, This I Believe, Toasted Cheese Literary Magazine, Verdad, and Waterski.

I'm virtually adopted by the race director before I even get to New Zealand. Your money's no good here, Hooksie writes in his email—just bring something unique from where you're from for your billet (his word for host) family as koha (Maori for a gift). Triathletes often feel like family, perhaps because we don't really compete against each other, we compete against ourselves. Or maybe it's because we embrace self-torture so wholeheartedly that only our fellow sadomasochists can ever understand us.

Shane Hooks is his real name, and the race is called Hooksie's Half. It's famous, if only because of Hooksie's reputation for doing whatever he wants, pissing racers off, or for the "after" party at which attendance is required.

Here's how it works, he writes: Tell us what flight you're on, I've got a billet family that will pick you up, put you up, take you down; you won't need rental cars, nothing, the last thing you'll be is lonely. It'll cost you though. You have to help out at registration on Friday, and bring a box of cold piss (his word for beer) for me for brokering the deal. You pay up at the after party. Walking in with twenty-four cold ones on your shoulder'll make you look like a real cool Kiwi chick. I'll tell Virgil to clean out the spare room.   Continue…


Poetry

Elegy #6
   by H. Palmer Hall H. Palmer Hall

H. Palmer Hall's most recent books are Into the Thicket (Ink Brush, 2011) and Foreign and Domestic (Turning Point, 2009). His work has appeared in various magazines, from Texas Observer and North American Review to Ascent and Connecticut Review and points in between. He's a librarian at St. Mary's University where he edits Pecan Grove Press.

Surrounded by books—books on his war—poetry books
Print crammed into every nook, he sat and waited for
Whatever might come, might stay away, need clearing away.   Continue…

Elegy #9
   by H. Palmer Hall H. Palmer Hall

H. Palmer Hall's most recent books are Into the Thicket (Ink Brush, 2011) and Foreign and Domestic (Turning Point, 2009). His work has appeared in various magazines, from Texas Observer and North American Review to Ascent and Connecticut Review and points in between. He's a librarian at St. Mary's University where he edits Pecan Grove Press.

So, I'm writing elegies and taking liberties with so many conventions.
No enlightenment at the end, no nymphs and shepherds dancing along
The way. That's okay—the failure in freedom of the last and this century.   Continue…

Elegy #16
   by H. Palmer Hall H. Palmer Hall

H. Palmer Hall's most recent books are Into the Thicket (Ink Brush, 2011) and Foreign and Domestic (Turning Point, 2009). His work has appeared in various magazines, from Texas Observer and North American Review to Ascent and Connecticut Review and points in between. He's a librarian at St. Mary's University where he edits Pecan Grove Press.

How do we assess a life, a voyage of close
To seventy years, a twinkle in the span of a country,
Of less than a century? Assessment fringes us,   Continue…

Elegy #17
   by H. Palmer Hall H. Palmer Hall

H. Palmer Hall's most recent books are Into the Thicket (Ink Brush, 2011) and Foreign and Domestic (Turning Point, 2009). His work has appeared in various magazines, from Texas Observer and North American Review to Ascent and Connecticut Review and points in between. He's a librarian at St. Mary's University where he edits Pecan Grove Press.

For Federico

Harsh winds blow in from the Gulf past Patty's Island
And against my grandmother's home. They beat against me
And against the fishermen who go out at night to drag nets
Through shallow bays, catch mullet— subsistence living. Hard   Continue…

Elegy #19
   by H. Palmer Hall H. Palmer Hall

H. Palmer Hall's most recent books are Into the Thicket (Ink Brush, 2011) and Foreign and Domestic (Turning Point, 2009). His work has appeared in various magazines, from Texas Observer and North American Review to Ascent and Connecticut Review and points in between. He's a librarian at St. Mary's University where he edits Pecan Grove Press.

A little dizzy, back to sleep until 9 a.m,. and then
To work. Always work to do, better than just
Hanging out on the couch. So that, when
We realize there is much to do, we can adjust,   Continue…

Elegy #20
   by H. Palmer Hall H. Palmer Hall

H. Palmer Hall's most recent books are Into the Thicket (Ink Brush, 2011) and Foreign and Domestic (Turning Point, 2009). His work has appeared in various magazines, from Texas Observer and North American Review to Ascent and Connecticut Review and points in between. He's a librarian at St. Mary's University where he edits Pecan Grove Press.

Robert Frost said it best: Back out of all this now
Too much for us… this "now" and that "then."
Birds, animals, children, all whistling, the cow
Lowing, soft, spiraling moos of content…or not.   Continue…


Works List

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Works by Issue

Works are published the first Monday of February, the third Monday of May, the first Monday of August, and the first Monday of November.

2013, Volume 15 Number 4, 4 November 2013 — Future Issue
Number 3, 5 August 2013 — Future Issue
Number 2, 20 May 2013 — Future Issue
Number 1, 4 February 2013 — Future Issue

2012, Volume 14 Number 4, 5 November 2012 — Current Issue
Number 3, 6 August 2012
Number 2, 21 May 2012
Number 1, 6 February 2012
2011, Volume 13 Number 4, 7 November 2011
Number 3, 1 August 2011
Number 2, 16 May 2011
Number 1, 7 February 2011
2010, Volume 12 Number 4, 1 November 2010
Number 3, 2 August 2010
Number 2, 17 May 2010
Number 1, 1 February 2010
2009, Volume 11 Number 4, 2 November 2009
Number 3, 3 August 2009
Number 2, 18 May 2009
Number 1, 2 February 2009
2008, Volume 10 Number 4, 3 November 2008
Number 4, 18 August 2008
Number 2, 19 May 2008
Number 1, 11 February 2008
2007, Volume 9 Number 4, 12 November 2007
Number 3, 6 August 2007
Number 2, 7 May 2007
Number 1, 5 February 2007
2006, Volume 8 Number 4, 6 November 2006
Number 3, 7 August 2006
Number 2, 8 May 2006
Number 1, 6 February 2006
2005, Volume 7 Number 4, 7 November 2005
Number 3, 8 August 2005
Number 2, 2 May 2005
Number 1, 7 February 2005
2004, Volume 6 Number 4, 1 October 2004
Number 3, 2 August 2004
Number 2, 3 May 2004
Number 1, 2 February 2004
2003, Volume 5 Number 4, 3 November 2003
Number 3, 4 August 2003
Number 2, 5 April 2003
Number 1, 3 February 2003
2002, Volume 4 Number 4, 4 November 2002
Number 3, 5 August, 2002
Number 2, 6 May 2002
Number 1, 4 February 2002
2001, Volume 3 Number 4, 5 November 2001
Number 3, 6 August 2001
Number 2, 7 May 2001
Number 1, 5 February 2001
2000, Volume 2 Number 4, 6 November 2000
Number 3, 7 August 2000
Number 2, 1 May 2000
Number 1, 7 February 2000
1999, Volume 1 Number 3, 1 November 1999
Number 2, 2 August 1999
Number 1, 3 May 1999